Tuesday, September 29, 2009

Review: "Big Man Japan" (2007)

“Big Man Japan” is a weirdly entertaining but erratic film that blends a parody of monster movies with a bizarre spin on the superhero epic. It’s an oddball take on “Hancock” that focuses a satirical eye on Japanese nationalism and the world of media and reality TV.

Employing a faux documentary style of filmmaking, director Hitoshi Matsumoto (who also plays the lead character) chronicles the surreal adventures of Daisato, a lonely middle-aged man, gifted with the power to transform into a giant when shocked with electricity, as he goes about his job as chief monster fighter for the Department of Monster Prevention. While his father and grandfather were hailed as national heroes and mobbed by fans, monster fighting isn’t quite as popular it once was and TV ratings are down. Daisato is now a pariah within the community – people complain about the noise and property destruction he causes, his wife and child have left him and neighbors throw rocks through his windows and write obscene graffiti on his door. In order to supplement his income, Daisato takes on a talent agent whose job is to sell advertising space on his chest.

Despite the interesting premise, the film is often dull, focusing too much time on the mundane activities of its hero. Nevertheless, there are some poignant scenes, filled with touching details that reveal Daisato’s inherent sensitivity – his gentleness with a stray cat and his thoughtfulness in picking out just the right birthday present for his daughter - while capturing his sense of isolation.

The film picks up momentum during the computer-animated monster fight sequences, which have a purposely fake look as if filmed on miniature sets similar to the Godzilla movies. Broadcast on national TV, we watch Daisato battle a host of increasingly bizarre creatures such as a Stink monster and another with a long eyeball growing from its genital area that it tosses around like a bowling ball. Kudos to the creature designers!

“Big Man Japan” is likely one of the strangest films ever made. It’s over the top and over long but worth a viewing for its sheer quirkiness.

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