Review: "Yojimbo" (1961)

Akira Kurosawa’s “Yojimbo” is a suspenseful and darkly humorous samurai-Western with a subversive take on the traditional samurai archetype. Visually stunning, well-acted and filled with interesting characters, the film’s observations on human behavior are timeless.

Taking place in late 19th century Japan, the main character, Sanjuro (Toshiro Mifune) is a masterless samurai roaming the countryside looking for work. He stumbles into a desolate village where two rival clans are fighting for control of the territory. Viewed as a superhero savior to the townsfolk, he uses his wits and the power of his sword to pit the rival clans against each other hoping to secure the best offer for his services. This results in some comic moments as both sides pander to Sanjuro to win his loyalty. Although Sanjuro is an opportunist, he sees both clans as evil and determines to take them both down by turning them against each other. But in the end an act of compassion puts his life in danger and he is forced to improvise an escape.

In addition to its compelling story, “Yojimbo” is distinguished by stunning black and white cinematography which contributes to the suspenseful atmosphere. The acting is also strong. Toshiro Mifune radiates an intense presence as the brooding and clever samurai and Tatsuya Nakadai embodies the snake-like charm of his villain with ease.

Review: "Zatoichi The Blind Swordsman" (2003)

“Zatoichi The Blind Swordsman”, directed by Takeshi Kitano, is a visually stunning samurai action drama that brings a whimsical, contemporary sensibility to the iconic Japanese superhero. Blind masseur by day and master swordsman by night, Kitano’s hero sports a platinum-blonde shock of hair and a blood-red cane that conceals his weapon.

The story is in the vein of traditional samurai drama: Zatoichi, an outsider, comes to the defense of a town caught up in a Yakuza gang war. While battling the gang members who are forcing the farmers and shopkeepers to shell out protection money, Zatoichi befriends two geisha (a brother and sister) seeking revenge against the gang for the murder of their parents years ago.

What distinguishes this flick is the stylish, lightning-quick fight sequences, colorful production design and whimsical spirit. I can’t think of any other movie that manages to seamlessly combine violent action and a lively tap dance number reminiscent of a Broadway musical.